What to do? What to do?
I just got an email from one of my clients, Larry. He’s written a rather fab book set in 1960’s London about a young lad with a smack addiction. I’ve been helping him spruce up the writing and polish the submission chapters. Today he got an email rejection from Lucy Luck Associates. He writes:
‘There was a suggestion that it had “strong potential as a commercial novel”, although it wasn’t strong enough to make the breakthrough yet, and didn’t have that “magic spark” for Lucy Luck that would persuade her to represent it. I’m inclined to keep working on it, even though it may always be the kind of book that agents feel they “don’t love enough” - which is what most of them say. (Nine rejections so far plus two email queries not responded to.
What to do? What to do?’
Nine rejections so far? I have another client, Julie, who’s written a real page-turner of a book about a young girl who wants to be a musician, and she’s received twenty.
I’m currently on eight. (Though actually I’m trying not to count.)
I was moaning about this the other day. Actually it was the night that Liam did one of his gigs and according to him, ‘I talked all the way through it.’ Too right I did. I was talking about me.
Anyway, during Liam’s set I was chatting to a Dutch friend, Rob, who has just finished his sixth book. I told him about some of my clients struggle to place their book and indeed my own journey. Rob replied he that he had received twelve rejections before his book went on to become a bestseller.
Admittedly that was in Holland and they are rather dull books about corporate stuff. But still! It gave me a spark of hope.
I have another client who emailed a query to a publisher (Avatar Publishers in the US) and within THREE hours the guy had emailed back to ask to read it. The next day they arranged a deal.
Sounds great huh? But before her lightening quick deal with Avatar she’d spent a lot of time sending it out, getting it rejected, feeling flat. So she approached me and was fully prepared to make changes in order to give it a better chance. And look what happened!
Jack Canfield, Chicken Soup for the Soul, got a whopping 145 rejections before getting a YES. After receiving a mere eight I wondered how he managed to stay upbeat about sending it out. Today, I got a standard emailed ‘not for us’ from MBA Literary Agency and was horrified to realize I had become CONDITIONED to the no word.
This could NOT do!!!!
What Jack Canfield did was each time he submitted he changed something about the submission so that he continued to feel excited about it. I imagine if he had sent the same material off in the same wording 145 times he wouldn’t have felt a thing after a while. So, the trick is to strive to keep excited about the submissions and do this in any which way you can. Don’t send them out on ‘rote’, do something new.
I’ve already made some changes on my opening chapters in response to helpful feedback I got from Judith Murdoch, and I’ve rewritten the covering letter several times. I’m now embarking on this blog. Anything to keep my vitality for my novel, that initial ‘yes! It has to succeed’ feeling alive. Because when something is alive it has more chance of attracting the desired outcome.
What about you guys? Any ideas how to keep the freshness? Send them in. If you have already got your agent or book deal then I’d love to hear from you. Success stories feed the soul and make us all believe. Or if you just want to moan and get it off your chest, then do that too. A rejection shared is a rejection halved….
Which would mean I only have 4 rejections! Hurrah.
Lucy Luck Associates - http:// www.lucyluck.com
Avatar Publications - www.avatarpublication.com
MBA Literary Agency - www.mbalit.co.uk
Judith Murdoch - no website as yet.
Jack Canfield - http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=99195881
